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critical perspectives (marxist & feminist) + Othello (1 Viewer)

sf_diegoxrock

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hey all,
just wondering whether anyone had any notes or essays on Othello, a critical study of the play and if anyone has any notes on the marxist and feminist theories/perspectives

if anyone has any essays/notes about Othello AND the feminist/marxist approach to it then that would be even better! =DDDD

thanks in advance
 

AFGHAN22

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I had to do a 1500 word essay on Othello "Othello is a play primarily about Othello. Discuss". If u r having trouble understaning the text and the themes and everything, i recommend u try www.sparknotes.com which gives an excellent chapter by chapter summary and analysis. If u want any futher help from me in any other way, just post a reply and let me know what i can do 4 u.
 

studynoob

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excellent site for the english book im doing "othello" someone keep bumping this board for other peeps reading othello or shakespeare!!!
 

sf_diegoxrock

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abit late on the reply lol thanks anyway =)

yeah i figured it'd be better next time if i actually read the play ;) oh well, whats done is done
 
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pLuvia

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bump.. can some give me or show me some psychoanalytic, marxist, and feminist readings of othello??

firstly can some tell me what are psychoanalytic, marxist, and feminist readings, im not really familar with them thanks
 
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ScottyG

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If itll help, I have a summary of every major reading you can undertake in othello, including psychoanalytical, cultural and historical, christian, feminist, marxist, and structuralist.

A scanner eludes me atm, but if theres a couple you want in particular I'll happily type my summaries up - it'll help me remember them anyway.

By damn I need to, lost more marks in today's essay then each essay since the start of the year combined :(
 
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pLuvia

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which scene is effective for a psychoanalytic reading?? because i have to study a scene and transform it my own way
 

ScottyG

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For psychoanalytical, it depends on who you favour talking about, Iago or Othello. Really its only those two you can get a lot of depth for.

For psychoanalytical, the best scene is where Othello strikes Desdemona in front of Lodovico. Lodovico says this quote (shortened) which is useful, "Is this the noble Moor... neither graze nor pierce". It gives you a good insight into his deterioation as a character.

edit: Out of curiosite kadlil, what subjects are you doing and what do you estimate your ranks as.
 

ScottyG

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This are my summary readings summaried from summary readings, so with any student-created work take it with a grain of salt. if anyone else needs them feel free by all means.

Psychoanalytical:

A psychoanalytical reading of "Othello" focuses on the nature of Othello's behaviour as both delusional and symptomatic of a deeply disturbed psyche, which can only relate to Desdemona in terms of the bipolar extremes of pure and divine, or whoreish and unchaste. Othello undergoes an unsettling transition from matrimonial harmony to sinister thoughts of his wife committing infidelity, with intangible evidence lending itself to speculation. This change happens due to Othello's numerous insecurities, predominantly regarding his race, which makes him vulnerable to the machinations of Iago. It reflects upon Othello's own self absorbption and gullibility that his perception of Desdemona is so radically polarised.

Analysis of Iago's character and language expresses his obsession with anamalistic behaviours, inward infections and pornographic imagery. He is an extremely base character who derides values such as love, honesty and loyalty as mere constructs with no substance or merit. Iago is motivated by the indignation he has 'suffered' over Cassio recieving the military promotion he believes was rightly his. Although he does not justify this hatred, it can be hypothesised Iago feels he must compensate for the lack of power he exudes in Venetian society, through the use of his manipulative prowess to hurt others.

Feminist:

A feminist reading of "Othello" would be seen as confirmtion of the misogynistic attitude of Renaissance society. Desdemona, Emilia and Bianca are all passive characters. They are controlled by their fathers, husbands or sons and never given independant status in society. Bianca for example, is used as an object of gratification by Cassio, and discarded when it is not convenient for Cassio to have her around. Desdemona's actions in marrying Othello against the requests of her father are symbolic of female independance attempting to gain foothold in a concieted Venetian society. Desdemona attempts to play an equal role in society, and pays the ultimate price for her actions.

Once Iago's plans are well on their way to fruition, Othello begins to greet Desdemona with abuse and violence. He views his wife as his possession, thefore giving him the right to strike her at his whim which correlates with the context of the time. From a feminist perspective, these events are the equivalent of modern domestic violence, which portrays Othello as a very arrogant and misogynistic male.

Spelling: forgive me x_x
 

jodzzzzzzzzz15

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i'm blowing in on the Othelo reading discussion, here, but thanx soo much for posting those summarises. BIG Help
 

ness.xox

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The Cambridge Student Guide - Othello is a great book with summaries about each critical readings, it also gives you a summary about each acts and scenes, the shakespearean language, details about the tragedies and etc.
I found it really helpful! :)
 

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