Originally posted by arls
We did too! I loved reading out the critics part and getting so tongue tied and acting completly over the top with the pompous voices and all!! We had so many crack ups!!
Ditto.. I played Moon, and it was generally quite the hillarious experience.
Although, in a sense, it's actually meant to be 'stupid' to read, seeing it's making the cliches absurd. I think it's very clever myself, with some of the jokes being subtle and working on multiple levels, like
Faced with such ubiqious obliquity, it is hard, it is hard indeed, and therefore I will not attempt, to refrain from invoking the names of Kafka, Sartre, Shakespeare, St Paul, Beckett, Birkett, Pinero, Pirandello, Dante and Dorothy L.Sayers (This is reason to this flow besides it reading well.. Dorothy L.Sayers actually translated some of Dante's works into English, and the placing also suggests that her writings are 'below' the Inferno..). Of course, this is just one of many examples throughout..
It becomes even more enjoyable if you've read/seen The Mousetrap, as it's the basis for the plot..
But as for set texts I've enjoyed;
Harper Lee-To Kill A Mockingbird (Only set text I enjoyed from Year 7-10. We were given some shockers..)
William Shakespeare-Richard III
Gwen Harwood-Selected Poems (Especially 'At Mornington' and 'The Glass Jar'.)
Aldous Huxley-Brave New World (Had read this previously, which always helps.. Better than Blade Runner.)
William Shakespeare-King Lear (Probably my favourite of his plays that I've read, perhaps as a result of the close study, and getting to appreciate it..)
Rob Sitch et.al-Frontline.
Tom Stoppard-The Real Inspector Hound.
Snow Falling On Cedars is less definate.. On the whole, it's pretty good, and clever in how it appropriates CF conventions in order to convey Guterson's message to a larger audience, but some parts were boring. (And the ever-so-eloquent 'Frozen penis envy' bit, which while understanding the symbolism behind it, was rather unpleasant...)