Hmm I caution anyone planning on using Sylvia Plath poems as supplementary texts.
There is a GREAT temptation to focus on Sylvia and Hughe's RELATIONSHIP rather than their poetry. A large number of people - teachers included - tend to side with one party or the other and this can affect their study of the two texts (eg "Here is where he admits to _____" etc etc).
The whole point of this module is to look at how a subjective truth (for this module, it's more like "story" as it's not half as clearcut as Frontline) is told through the poems, not WHAT the truth is.
That aside, a good half of the state (at least) will pick Sylvia Plath poems as supplementary texts
if you're going to do it, do it damn well or it's a good idea to pick something else.
I did "To Kill a Mockingbird" for my related text, however - ok going on a tangent now. I don't want this to become a specific Birthday Letters supplementary thread (we already have one of those?) but think about the module. There's a couple of themes to play with, memory being one of the biggest ones. If you were able to find a text that plays with distortion of memory and/or history (for example Coco Chanel's or Mae West's biography, both of which are fuzzy because the two women changed their stories at various points in time), then that could also work. Heck, even if you could find an article about how Queen Victoria's diary was rewritten before being released to the public, that could be pretty cool. OH Chicago (the musical, although film could also work) would be a really interesting one to study seeing as it's about manipulation (the puchline in the musical is the fact that Mary Sunshine, the sunny Oprah Winfrey of the 20s, is actually a guy and pulling the heaviest wool over everyone's eyes).