I said that taken together, both texts call readers to embrace an imaginative identity rooted in authentic experience rather than social or logical 'prejudice'; "the beat of feeling" and not the "thorns of logic". Weldon's explicitly didactic philosophy becomes the realization of Austen's subtle romance and both texts act as complementary frameworks that urge moral enlightenment, social awareness and personal imagination. We learn to appreciate the power of explicit and implicit narrative and through Austen's escapism becoming Weldon's philosophy, we search for our own identity that stems from this imaginative process; from the "House of Imagination/City of Invention/Celestial City".
Gotta love Weldon's metaphors lmao