icraig88 said:
and zrap, also this..
This is how I represent I rock the mic 110 percent
It's intimate, I keeps the party moving like a imigrant
Binary Star, superstar its no coincidence
Every verse is intricate, this ain't a circus in a tent
We don't get down like them clowns and the kids
I'm use to being indegent, who said its all about the Benjamin's?
I wanna fortune, I wanna make music and hit the lottery
Fortunately my music is never watery
That's how its gotta be, as far as I can see
Maybe you should grab a telescope to see my veiw its like astronomy
It aint all about economy
so the fact that these wack emcees is making G's don't bother me
Honestly, my number one policy is quality
never sell my soul is my philosophy
High velocity, lyrics like Nastradamus make a prophecy
I told you cats a long time a go it ain't no stoppin' me
I bomb your set that's not a threat its a promise
Got everybody ridin' on my wagon like the Amish
But still I never claim to be a big rap star
So no matter who you are its still Allah who act God
Better believe this, most rappers can't achieve this
I'm bad to the bone but x-rays can't even see this
See I'm strategic I letcha money talk bullshit walk
While I keep it rollin' like parapalegics
Whoever's on the microphone let it be known
You in danger, I got next(necks) like the Boston Strangler
You ain't never heard an emcee speak like this
And Rodney King ain't never felt a beat like this
Voice: (That is the Main theme)... scratching.. ( I wanna know something else)
[Senim Silla]
Get a grip on yourself cuz you ain't grippin mines
Life and times, outta lies rap guys outta line careers I finalize
collide with this seranade cyanide you apply for Silla's high
The thing that makes killa's high
Hang 'em high by the gold link necktie
And drain 'em dry into tempest eye now you ain't God
so you ain't that high wanna be aeronautic
And get swatted for actin' fly
Masterminds crafty rhymes, I'll rip from drafty lines
that chill spines like the Alpines, runnin up on some natural binds
A close encounter of the worst kind
Go ask the cats that heard I'm lyrical turpentine
Who wanna taste mine I gotta carry hill on the wasteline
God give the bassline so let the phlegm fly
I survive seven-five through the M-ine, when I forcefully Jedi
On the wooze I red-eye, heads fly bet I, sharpshoot dead-eye
Snooze crews bed bye, Mary lou flippin' I pistol pump grippin
I stompin, I semper-fi represent, temper high, signify
Walkin round ain't nothin similar
Like a Gemini, in this perimeter sublimin-ie
Cats be cut dry more why I wet guys
I be rainin precipitation 'til it's one inch your neck high
Less fly kids misguide, without an alibi
Who said you rap tight? You come unraveled by
Slice of this rap scalpel, guys quick as apple pie
I'm learned in old schools of thought and shit you baffled by
Conceptual intellectual fireslide
Silla oxide rhymes flow like a rockslide
you musta forgot I, have your ass knockneed and cockeyed
Bruised, battered, broken up, walkin, cut dipped in peroxide
Death to the Pop Fly
Verse one:
I met this girl, when I was ten years old
And what I loved most she had so much soul
She was old school, when I was just a shorty
Never knew throughout my life she would be there for me
Ont he regular, not a church girl she was secular
Not about the money, no studs was mic checkin her
But I respected her, she hit me in the heart
A few new york niggaz, had did her in the park
But she was there for me, and I was there for her
Pull out a chair for her, turn on the air for her
And just cool out, cool out and listen to her
Sittin on a bone, wishin that I could do her
Eventually if it was meant to be, then it would be
Because we related, physically and mentally
And she was fun then, Id be geeked when shed come around
Slim was fresh yo, when she was underground
Original, pure untampered and down sister
Boy I tell ya, I miss her
Verse two:
Now periodically I would see
Ol girl at the clubs, and at the house parties
She didnt have a body but she started gettin thick quick
Did a couple of videos and became afrocentric
Out goes the weave, in goes the braids beads medallions
She was on that tip about, stoppin the violence
About my people she was teachin me
By not preachin to me but speakin to me
In a method that was leisurely, so easily I approached
She dug my rap, thats how we got close
But then she broke to the west coast, and that was cool
Cause around the same time, I went away to school
And Im a man of expandin, so why should I stand in her way
She probably get her money in l.a.
And she did stud, she got big pub but what was foul
She said that the pro-black, was goin out of style
She said, afrocentricity, was of the past
So she got into r&b hip-house bass and jazz
Now black music is black music and its all good
I wasnt salty, she was with the boys in the hood
Cause that was good for her, she was becomin well rounded
I thought it was dope how she was on that freestyle shit
Just havin fun, not worried about anyone
And you could tell, by how her titties hung
Verse three:
I mightve failed to mention that the shit was creative
But once the man got you well he altered the native
Told her if she got an energetic gimmick
That she could make money, and she did it like a dummy
Now I see her in commercials, shes universal
She used to only swing it with the inner-city circle
Now she be in the burbs lickin rock and dressin hip
And on some dumb shit, when she comes to the city
Talkin about poppin glocks servin rocks and hittin switches
Now shes a gangsta rollin with gangsta bitches
Always smokin blunts and gettin drunk
Tellin me sad stories, now she only fucks with the funk
Stressin how hardcore and real she is
She was really the realest, before she got into showbiz
I did her, not just to say that I did it
But Im committed, but so many niggaz hit it
That shes just not the same lettin all these groupies do her
I see niggaz slammin her, and takin her to the sewer
But ima take her back hopin that the shit stop
Cause who Im talkin bout yall is hip-hop
one of the best uses of an extended metaphor in a rap song.