Re: Subject Reviews - UPDATED WITH .PDF on first post
Because I’m supposed to be writing a conference paper on Derrida, Hypertext Theory, and the Postmodern Gothic, have some reviews. Also, these are all from the English dept., so I won’t be giving course codes, only titles:
Contemporary American Literature
Ease: To do relatively well in this course, one needs not be the great of scholars. The expectations, generally, aren’t set too high; and the material, generally and if you’re into this sort of stuff, isn’t difficult. The only parts of this course which could be construed as difficult are, firstly, when the lecturers go off on theoretical tangents (and so they should!) and also Ashbery’s Girls on the Run, which, despite my being besotted with Ashbery, other people seemed to have trouble with.
Lecturers: There was an interesting good cop, bad cop dynamic happening with the lecturers on this course. That is to say, for Dr. Murphet, the whole world is fucked beyond belief, but for Dr. Hardie, it can be saved! All of the lecturers who deal with the new and, often, America literature are excellent.
Interest: Whatever I say here will be biased, as this is my area of interest. So, I’ll just list and give mention to some of the texts: Happiness (film) is all about paedophilia, The Corrections is the best book since Gravity’s Rainbow, Ashbery can have my babies, Random Family is beyond fascinating, and The Road is, perhaps, one of the most gripping books you’ll ever read.
Overall: 8/10.
American Romance
Ease: This course is very simple, and yes, I mean this disparagingly. It covers the canon of nineteenth century American literature, excluding only Moby Dick. The assessment is this: one essay (90%) and one seminar paper (10%). You are allowed to deal with the same text(s) twice over, which, in my opinion, is absurd.
Lecturers: Dr. Kelly is good fun, and he really knows his stuff. However, the two hour seminar was taken up, every week, by seminar papers, so you don’t hear much from him. Rather, he acts as a facilitator.
Interest: The course itself was relatively dull, but the texts carried it along. This being said, I liked the texts because I’m a huge fan of Hawthorne, Whitman, Crane, and Dreiser; if you’re not, just don’t bother with the course, as you won’t get a thing out of it. Well, at least I learnt some stuff about nineteenth century American lit, an area on which my knowledge was previously quite hazy!
Overall: 5/10.
The Language and the Canon
Ease: Ease? What ease? This course was difficult, very. The way that it’s structured is like this: First half deals with the development of the English language, from Old English through Early Modern, with two lectures on each period. Second half with King Lear, from all angles – textual, theoretical, theatrical, and so on. The essays I wrote for this unit (two of 3,000wds) were on the following topics: an assessment of James Joyce’s parody of Old through Early Modern English in Ulysses. That’s right, an assessment of Joyce, after six lectures on the language. The other was 7,000wd (I killed the wd limit) essay on the evolution of the noun ‘pudder’ which may or may not appear in King Lear.
Lecturers: The English dept.’s old guns came out for this one. Expect idiosyncratic, well rehearsed, lectures made of intellectual gold; and tutorials of Dr. Gardiner’s own strange view on things, which is often fascinating.
Interest: If you’re curious about what makes English English, then you’ll like this course.
Over: 7/10.
More later, when I shall eviscerate The Text and the bloody Critic.